Landscapes : Part 2

In 90's, Mr.Philip D'mello, started a new style of using a canvas -- 'Box Board'. It was then adapted by many artists.

As an Interviewer, I noticed he sticks to one statements more, of ' Doing things Differently' , and so is his work. Today, he still remembers about the art he made on 'boxboard' and perceives how the drops of water color are being absorbed by this beautiful canvas.

I would like to present before you some of his old but finest work done on paper, canvas and boxboard.

This paintings were exhibited in 1992 -1994 in his group shows and even in one man shows.

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The Way Of Cross

The 8 water colour paintings and 19 Indian Ink on paper bring out the excruciating pain of Christ’s suffering, hence surfacing His divine persona. Inspired by Mel Gibson’s film ‘ The Passion of the Christ ’ and hence, decided to create a similar series with paintings. D’mello has depicted the important episodes of Christ’s last hours such as stripping Him, Christ carrying the cross, Christ falling under the cross, Christ being nailed to the cross, crucifixion, Christ’s body placed on his mother’s lap and Christ being laid in tomb. The 19 Indian Ink on paper sketches depict different biblical episodes such as ‘The triumphant march,’ ‘Face of Christ,’ ‘Christ in Gethsemane garden,’ ‘Christ’s final submission’ and also various portraits of Christ wearing an expression of pain that are intricately drawn with the dark strokes. Testimonial s : “God lies in details and these paintings with fine details has the capaci...

Trikaal... diary (Part 1)

Live in present... Paint the past! ...for what? For self happiness But... that colouring is for future as well, for colouring future becomes a page of history! A renowned economist and writer Dr. Narendra Jadhav says, “Future never forgives, those who forget the past.” It is true and is acceptable to the creative mind like mine. It is my innate character to go deep down nostalgia and paint those memories. That is why I could create art till now. There is no dotage, neither for childhood memories nor for enrapturing their ambience. All my childhood memories are sketched in the diary as if each creation depicts a page of my reminiscence. I have preserved ‘Myself’ and have let ‘Myself’ to wander with self-contentment in it. Sometimes on earth and in the sky, In the midst of flora or even on the back of the buffalo, As if I had wings of mind to fly... My mind opens out to life and my perception let my hand to ...

Trikaal... diary (Part 2)

Change is constant but yet something needs to be constant - is Philip’s artistic statement. Edging closer to nature and the bygone his work offers an experience of a gentle walk in the village, full of vibrancy. Nothing is fully defined or even suggestive, or it may even elude interpretation. But the delicate charm and subtle beauty of the paintings, leave a feeling of something timeless, a record of the bygone from where the present stems and the future derives. Philips art trajectory is in fact an entry into the nostalgia. The modern world’s craze for gizmos and an almost impossible life of wired quagmire, such artistic glimpses offer an escape to the comfort zones of the past. This deep human yearning is always present in everyone and offers solace in times dilemmas of existence. Lost childhood, warmth of mother’s embrace, a favourite tree, an evening by the riverside, first love or first tastes refuse to leave till the end...

Memories

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